Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism …

25 Jun 2017 called Sinofuturism by the video artist Lawrence Lek. Lek has a diasporic Chinese identity — he has lived in Malaysia, Hong Kong, Britain,

2021-4-7 · Lawrence Lek, Sinofuturism (1839 - 2046 AD), 2016, still. Courtesy: the artist and Sadie Coles HQ, London © Lawrence Lek In Sinofuturism (1839–2046 AD), the disembodied, computer-generated narrator opines that luck and fortune are an ‘antidote to repetitive labour’ and a randomized opportunity to change ‘boring destiny’. 2020-9-4 · Lek, Lawrence. “Sinofuturism (1839–2046 AD).” https://zkm.de/en, 2016.

Image credit © Lawrence Lek, courtesy Sadie Coles HQ, London. So I began to develop an artificial intelligence that would be an appropriate avatar for this concept. Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the… ‎Sinofuturism (1839 - 2046 AD) (2016) directed by Lawrence Lek • Reviews, film + cast • Letterboxd These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices CGI, audio-visual performance, gaming, and fiction into a continuously expanding cinematic universe. A blend of documentary, social realism, and conspiracy, the film puts forth a theory of ontology modeled on several stereotypes about China, which Lek calls Sinofuturism, defined in the video essay as “a form of artificial intelligence, a massively distributed neural network focused on copying rather than originality, addicted to learning of massive amounts of raw data rather than philosophical critique or morality, with a posthuman capacity for work, and an unprecedented sense of From October 22 – November 8, 2020, Lek’s experimental video essay Sinofuturism (1839-2046) will be available to screen for all program registrants. In this work, Lek melds genres of science fiction, documentary melodrama, social realism and Chinese cosmologies to view the future through the lens of China’s technological development.

Screen Lawrence Lek's films Sinofuturism (1839-2046 AD), Geomancer, and AIDOL here starting here starting Oct 19. https://lawrencelek.com/berkeley2020

Lawrence Lek uses video game software to imagine a future in which the Royal Academy of Arts has been sold off as a privately owned luxury estate. This dystopian world, created for the Dazed Emerging Artist Award, is accompanied by a soundtrack by virtuoso cellist Oliver Coates and a voiceover of a found text from Russian Tatler magazine, translated into Mandarin by Joni Zhu.

it is no accident that much artificial intelligence research focuses on making programs play games. winning and losing are clearly defined. so programmers Centre A and The Visual Arts Centre of Clarington are pleased to present UK-based artist Lawrence Lek‘s Sinofuturism (1839–2046 AD) (2016), an experimental video essay on a future seemingly (re-)positioned by China’s technological development through science fiction, documentary melodrama, social realism, and Chinese cosmologies, un-mirroring cultural clichés. Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism (1839-2046 AD). Lawrence Lek is a member of Vimeo, the home for high quality videos and the people who love them.

videoessän 'Sinofuturism (1839-2046 AD)' (60min, 2016), AI-coming-of-age berättelsen Där väldigt mycket intresse riktades mot konstnären Lawrence Lek och För två år sedan visades Lawrence Leks videoessä Sinofuturism They discuss the films 'AIDOL', 'Geomancer', 'Sinofuturism' and m – Lyssna på Lawrence Lek - Conversation #7 - Anthology #3 - February 18 With Lawrence Lek. Ben Cardew meets "simulation artist" Lawrence Lek to talk world building, AI, sinofuturism and his excellent new album for Hyperdub, AIDOL SinoFuturism, AIDOL, NFT Murder Plots and Future Pop Stardom with Lawrence Lek. 2021-03-17 | 2 tim · Hope Running, Economic Fiction and MetaModernism Sinofuturism 中华未来主义 (1839 - 2046 AD) by Lawrence Lek 陆明龙. ruse mode. ruse mode. •. 2. Gränsens position.
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In the anxious eyes of the Europeans, the «superpower» represents the fully-automated world of tomorrow, found in products, server farms, and artificial intelligence.

02/01 The Sonic Image Lawrence Abu Hamdan, Artist, Beirut In his 2016 video essay Sinofuturism (1839 – 2046 AD), artist Lawrence Lek wrestled with this process, leaning into anxieties about the decline of Western political power and the rising economic prowess of China. Lawrence Lek: The idea of identifying oneself with a non-human is something that I explored with the films AIDOL and Geomancer, the video essay Sinofuturism, and the open-world game 2065.
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Lawrence Lek (Chinese: 陆明龙;) is a multimedia artist, filmmaker, and musician based in London. His works include the films "AIDOL", "Geomancer", " Sinofuturism (1839–2046

För två år sedan visades Lawrence Leks videoessä Sinofuturism (1839 – 2046 AD) på CTM-utställningen och jag måste erkänna att jag blev golvad. Lawrence Lek is a multimedia artist, filmmaker, and musician based in London. In this conversation, Lek talks to Alvin Li about posthuman agency, the future art history of sinofuturism, the politics of language, and constructing worldviews through his sprawling virtual world.